Apr
18
2022
Events
Conrad Tao
Monday, Apr 18, 2022 @ 7:30 pm - 9:30 pm
LOCATION: THE SEABROOK ISLAND CLUB
PRICE: $10
TICKET RELEASE: KIAWAH 4/1 PUBLIC 4/4 @ 9 AM
Purchase tickets here.
Kiawah Early Access Notice: Beginning on the Kiawah release date, use your promo code to get tickets during the checkout process. Once tickets open to the public, the promo code is no longer needed during checkout.
Conrad Tao has appeared worldwide as a pianist and composer and has been dubbed a musician of “probing intellect and open-hearted vision” by The New York Times. He is the recipient of the prestigious Avery Fisher Career Grant and was named a Gilmore Young Artist—an honor awarded every two years highlighting the most promising American pianists of the new generation. As a composer, he was also the recipient of a 2019 New York Dance and Performance “Bessie” Award, for Outstanding Sound Design / Music Composition, for his work on More Forever, his collaboration with dancer and choreographer Caleb Teicher.
Conrad Tao has recently appeared with the Los Angeles Philharmonic, Cleveland Orchestra, New York Philharmonic, and Boston Symphony. In 20-21, he was the focus of a series of concerts and interviews with the Finnish Radio Symphony, performing Beethoven’s Piano Concerto No. 4 with Hannu Lintu and Andrew Norman’s Suspend with Sakari Oramo, live on television. While most performances in the 20-21 season were canceled due to the COVID epidemic, he appeared with the Cincinnati Symphony and Louis Langrée, and returned to the Seattle Symphony to perform Beethoven Concerto No. 4. Further invitations included the National Symphony Orchestra, the San Francisco Symphony, New Jersey Symphony, and St. Paul Chamber Orchestra. His creation with Caleb Teicher, More Forever, commissioned by Works & Process at the Guggenheim, was planned for tours across the US, including Dance Cleveland and Fall for Dance, Toronto. Tao and Teicher’s latest collaboration for Works & Process, Rhapsody in Blue, kicked off the Guggenheim’s return to in-person performances and was lauded by The New York Times as “monumental.” The duo also gave the inaugural virtual recital of the season for Concerts from the Library of Congress.